Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).
ALBERTO GIACOMETTIThe head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
More Alberto Giacometti Quotes
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Whores are the most honest girls. They present the bill right away.
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In the past I have never thought about loneliness when working, and I don’t think about it now. Yet there must be a reason for the fact that so many people talk about it.
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The form is always the measure of the obsession.
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I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.
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Artistically I am still a child with a whole life ahead of me to discover and create. I want something, but I won’t know what it is until I succeed in doing it.
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If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?
ALBERTO GIACOMETTI -
In a burning building I would save a cat before a Rembrandt.
ALBERTO GIACOMETTI -
The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.
ALBERTO GIACOMETTI -
The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.
ALBERTO GIACOMETTI -
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI -
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTI -
I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.
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The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
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Failure is my best friend. If I succeeded, it would be like dying. Maybe worse.
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It is impossible to do a thing the way I see it because the closer I get the more differently I see.
ALBERTO GIACOMETTI






