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At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.

Alberto Giacometti

It is impossible to do a thing the way I see it because the closer I get the more differently I see.
ALBERTO GIACOMETTI

Close Different Impossible Myself See
At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.
ALBERTO GIACOMETTI

Artist Modeling Myself Person Possible Sculpture
Taste for things of the past evolves, doesn’t it? What was a masterpiece a hundred years ago is no longer so today.
ALBERTO GIACOMETTI

Evolution Ourselves Past Pieces Taste
I see something, find it marvelous, want to try and do it. Whether it fails or whether it comes off in the end becomes secondary. So long as I’ve learned something about why.
ALBERTO GIACOMETTI

End Failure Learning Myself See Try
The human face is as strange to me as a countenance, which, the more one looks at it, the more it closes itself off and escapes by the steps of unknown stairways.
ALBERTO GIACOMETTI

Escape Face Human Oneself Strange Unknown
All the art of the past rises up before me, the art of all ages and all civilizations, everything becomes simultaneous, as if space had replaced time. Memories of works of art blend with affective memories, with my work, with my whole life.
ALBERTO GIACOMETTI

Art Civilization Life Memories Myself Past Replacement Rise Space Work
The older I grow, the more I find myself alone.
ALBERTO GIACOMETTI

Alone Finding Growth Myself Old
In a burning building I would save a cat before a Rembrandt.
ALBERTO GIACOMETTI

Animal Building Burning Choice Myself Save
The head is what matters. The rest of the body plays the part of antennae making life possible for people and life itself is inside the skull.
ALBERTO GIACOMETTI

Body Head Life Play Possible Skull
Whores are the most honest girls. They present the bill right away.
ALBERTO GIACOMETTI

Honesty Prostitution Sex Woman
In every work of art the subject is primordial, whether the artist knows it or not. The measure of the formal qualities is only a sign of the measure of the artist’s obsession with his subject; the form is always in proportion to the obsession.
ALBERTO GIACOMETTI

Art Himself Measurement Obsession Subject Work
The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.
ALBERTO GIACOMETTI

Experience Failure Feeling Give Up Lost Moments Open Progress Success Yourself
When one lives with problems of importance, the prostitute is ideal. You pay, and whether or not you fail is of no importance. She doesn’t care.
ALBERTO GIACOMETTI

Care Failure Importance Live Problem Prostitution Yourself
If we master a bit of drawing, everything else is possible.
ALBERTO GIACOMETTI

Drawing Master Possible Potential
Art is the residue of vision.
ALBERTO GIACOMETTI

Art One Liner Residue Vision
The object of art is not to reproduce reality, but to create a reality of the same intensity.
ALBERTO GIACOMETTI

Art Intensity Object Reality Reproduction

At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.

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At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.

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