Silence doesn’t seem heavy or difficult.
ABBAS KIAROSTAMII’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.
More Abbas Kiarostami Quotes
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A movie is about human beings, about humanity.
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I thought that I had been asked every kind of question possible.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
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I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
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I’ve often noticed that we are not able to look at what we have in front of us, unless it’s inside a frame.
ABBAS KIAROSTAMI -
If I do continue to have the opportunity to work in Iran, that’s very much what I’d prefer to do.
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As film-makers, it is very important for us to find common ground between cultures, and maybe that’s less the case for politicians who benefit more from finding the conflicts and differences between us.
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The Iranian government as a whole has no relationship with my films. They’re not particularly interested, perhaps this kind of cinema is not very interesting to them.
ABBAS KIAROSTAMI -
I remember when I came out of an exam thinking I had done well and then I had a clue that maybe one answer was wrong, I remembered that I rather stop knowing, stop thinking about it, appreciating life instead.
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Good cinema is what we can believe and bad cinema is what we can’t believe. What you see and believe in is very much what I’m interested in.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
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Therefore, when you see the end result, it’s difficult to see who’s the director, me or them. Ultimately, everything belongs to the actors – we just manage the situation.
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I don’t generally derive my stories from novels. I try to turn into film things I have felt or experienced.
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I do believe in [Robert] Bresson’s method of creation through omission, not through addition.
ABBAS KIAROSTAMI






