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1. black
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3. blue
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6. white

I don’t know if I work in order to do something, or in order to know why I can’t do what I want to do.

Alberto Giacometti

Related Topics

MyselfReasonWork

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  I’ve been fifty thousand times to the Louvre. I have copied everything in drawing, trying to understand.

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  If only someone else could paint what I see, it would be marvellous, because then I wouldnt have to paint at all.

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  That’s the terrible thing: the more one works on a picture, the more impossible it becomes to finish it.

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  It is impossible to do a thing the way I see it because the closer I get the more differently I see.

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  Once the object has been constructed, I have a tendency to rediscover in it, transformed and displaced, images, impressions, facts which have deeply moved me (often without my knowing it).

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• 

  The one thing that fills me with enthusiasm is to try, despite everything, to get nearer to those visions that seem so hard to express.

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  The form is always the measure of the obsession.

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  If I see everything in gray, and in gray all the colors which I experience and which I would like to reproduce, then why should I use any other color?

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  Only reality interests me now and I know I could spend the rest of my life in copying a chair.

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• 

  At first, one sees the person who is modelling; but little by little, all of the possible sculptures that could be made come between artist and model.

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• 

  The more you fail, the more you succeed. It is only when everything is lost and – instead of giving up – you go on, that you experience the momentary prospect of some slight progress. Suddenly you have the feeling – be it an illusion or not – that something new has opened up.

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• 

  The more I work, the more I see things differently, that is, everything gains in grandeur every day, becomes more and more unknown, more and more beautiful. The closer I come, the grander it is, the more remote it is.

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• 

  All I can do will only ever be a faint image of what I see and my success will always be less than my failure or perhaps equal to the failure.

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• 

  If we master a bit of drawing, everything else is possible.

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  Art is the residue of vision.

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• 

  I don’t know who I am or who I was. I know it less than ever. I do and I don’t identify myself with myself. Everything is totally contradictory, but maybe I have remained exactly as I was as a small boy of twelve.

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