Once I came to acting, it was almost a thing where there weren’t enough hours in the day to work on stuff because I was so passionate about it.
AARON TVEITSinging for stage, if you don’t hear yourself, that’s when you push, and that’s when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
More Aaron Tveit Quotes
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Awards are not something that I measure my work by. I’ve been so fortunate and I’ve gotten to do such terrific things that it seems petty to look back and say, ‘Oh, I should have gotten that prize.’ I’ve been so blessed, it’s hard to look back and think anything but that, so I have no disappointments.
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I didn’t grow up a theatre kid, going to theatre camps. I played sports, and that was my main direction. But luckily, I never had to choose between sports and theatre.
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I just feel like I have a lot to prove.
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I’m at a place in my life where I do finally feel, at least most of the time, that I know who I am and I’m comfortable with the person that I am.
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I listen to all kinds of music, but I’ve always been a really big fan of Top 40 radio. If I’m in my car, that’s what I listen to.
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I grew up about 60 miles northwest of New York, in Middletown, NY.
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I still sing every day – in the shower or on the set all day. I’m sure everyone will tell you that I never shut up. But it’s not in the capacity that I would like to.
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I like auditioning! A lot of people hate it, but I like it.
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Being onstage is just a feeling that you cannot duplicate anywhere else because the energy that the audience is giving you forces you to give more energy. It’s such an output and exchange of energy. You can’t do that anywhere else.
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Singing for stage, if you don’t hear yourself, that’s when you push, and that’s when you can hurt your voice sometimes. So if I can hear myself in my ear, it really helps me to find that balance of how loud I needed to be singing.
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Cats and I have an understanding, but we choose not to interact often.
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Sometimes chemistry does the trick, and other times, you have to forge that with the people.
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I would like to, especially in film, play against type and do some heavier stuff. I’m intrigued by projects that deal with problematic people and things.
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I had an acting teacher tell me once that if you’re playing a car salesman, you don’t want to be an OK car salesman, you want to play the best car salesman.
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In an ideal world for me, I would like to go back and forth [between film and theater]. I kind of want to do it all
AARON TVEIT






