“I filmed myself drunk, just to see what I’m like. I watched so many funny videos of people drunk on YouTube.”

The best way to watch Breaking Bad is in the fetal position, sobbing.

When I go to set, I try to make it a warm, inviting and happy set. We’re all coming to work creating something, hopefully, beautiful together.

I think that for some people faith is good – they have something to draw to.

Love love and cherish life. Also, just eat the cake.

I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I’m acting. I just love characters and stories with conflict.

I just don’t like to ask for things.

I need to listen to chill music when I’m driving. It prevents road rage.

I saw a lot of people have success handed to them that then exploited it. They didn’t protect it or cherish it.

I would be lying if I didn’t admit there might be a scene in the movie where there might be alcohol in my system.

The first part of my career, how I was paying the bills was commercials. I was just doing tons of commercials.

For an actor, for me, I love being able to tap into just heavy emotions. I don’t need to be balling in every scene, but I just love to feel different emotions when heading to set. It’s a lot of fun to play with.

I love playing odd roles.

I love cars, I have two classic cars of my own.

I grew up all over Idaho – I was born in Emmett, a very small town.

I love characters that are going through turmoil. To be honest, I love characters with conflict. I love characters who are really going through an emotional journey; whether it’s a super-dark-crazy journey or a really relatable guy.

My end goal is just to do projects at the end of the day that I’m proud of.

I’ve always loved music videos – I used to make my own for bands like Pearl Jam.

If I hear a song like “Time After Time.” I’m sittin’ there lookin’ at video and Cindy Lauper comes on singin’ this song. I said, “God damnnnnn!”

I think the digital cameras have changed my view. Even though sometimes, including the installations that I show, I mix 35mm filming and video handmade.

I’ve never made a video where I didn’t talk to the artist before I wrote the treatment.

My process in making a music video is pretty much a formula of talking to the artist.

It doesn’t always necessarily translate into them doing a better job for a band, but I think especially if you’re playing the game of commercial radio and making videos and stuff like that, that’s sort of an expensive proposition.

I did an Extreme video, which was really weird having them here. I did “Get the Funk Out”.

I have an office full of product from brands trying to be in videos and an inbox full of songs from artists, but at the end of the day if the artist doesn’t support the brand or it doesn’t make sense for the song, then it will never work.