“In any art, you don’t know in advance what you want to say – it’s revealed to you as you say it. That’s the difference between art and illustration.”

The only nature I’m interested in is my own nature.

To me documentary photography means making a picture so that the viewer doesn’t think about the man who made the picture. At its esthetic core is very old tradition in art: naturalism.

For some reason or other there was in me the desire to see the world clean and fresh and alive, as primitive things are clean and fresh and alive. The so-called documentary picture left me wanting something.

Purpose is to document all facets of social relationships.

The only other things I got from the abstract expressionists is the absolute belief that this canvas is the complete total area of struggle, this is the arena, this is where the fight is taking place, the battle.

As photographers, we must learn to relax our beliefs. Move on objects with your eye straight on, to the left, around on the right. Watch them grow large as they approach, group and regroup as you shift your position.

If you look very intensely and slowly things will happen that you never dreamed of before.

When I make a photograph I want it to be an altogether new object, complete and self-contained, whose basic condition is order (unlike the world of events and actions whose permanent condition is change and disorder).

However, I must stress that my own interest is immediate and in the picture. What I am conscious of and what I feel is the picture I am making, the relation of that picture to others I have made and, more generally, its relation to others I have experienced.

It is no longer a matter of expressing reality, but of expressing what one feels about reality.

Photography is a way of feeling, of touching, of loving.

As the language or vocabulary of photography has been extended, the emphasis of meaning has shifted, shifted from what the world looks like to what we feel about the world and what we want the world to mean.

The business of making a photograph may be said in simple terms to consist of three elements: the objective world (whose permanent condition is change and disorder), the sheet of paper on which the picture will be realized, and the experience which brings them together.

I was given a small camera as a wedding gift from a very dear friend. My first pictures were taken on my honeymoon. As soon as I became familiar with the camera, I was intrigued with the possibilities of expression it offered. It was like a discovery for me.

Everybody believes that, but you have to really believe that and work that way.

Almost inevitably there are tensions in the picture, tensions between the outside world and the inside world. For me, a successful picture resolves these tensions without eliminating them.

America became a great nation early on not because it was flooded with politicians, but because it was flooded with people who understood the value of personal responsibility, hard work, creativity, innovation, and that’s what will get us on the right track now, as well.

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn’t care to sit next to in a train.

Creativity is just learning to do something with a different perspective.

Creativity is the art of the impossible

I’m always throwing out ideas, so it’s not creativity, it’s just volume.

I need to find avenues to express all of my creativity. There’s always polarizing forces. Sometimes I feel like my work is going in different directions, but hopefully it’s just expanding.

I try and reduce myself to an almost blank slate and hope to God that I am creative.

If sex and creativity are often seen by dictators as subversive activities, it’s because they lead to the knowledge that you own your own body (and with it your own voice), and that’s the most revolutionary insight of all.