I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
A-TRAKIt’s always important to me to play something other DJs aren’t playing.
More A-Trak Quotes
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I’m one of the few DJs who uses turntables. I’m the only DJ that’s scratching.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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That was my challenge then, how to make scratching still fun for someone who didn’t necessarily come to hear that. It was fun to develop that technique. And now in dance music – I’m still a hip-hop guy at heart, but I love dance music.
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When I get up I still check the rap blogs before I check any kind of dance stuff.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I have a radio show on Sirius XM. I put it up as a free download on my Soundcloud and on iTunes. That’s a portal for me once a month, to play songs I know aren’t getting played on that station the rest of the week.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
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One thing that I learned in recent years from working more with other people is this idea that part of a producer’s job is to make people comfortable and confident.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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I worked with him for years. I still think Kanye [West] is one of the most important people in music in the last ten years.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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