The principle of the endless melody is the perpetual becoming of a music that never had any reason for starting, any more than it has any reason for ending.
I have learned throughout my life as a composer chiefly through my mistakes and pursuits of false assumptions, not by my exposure to founts of wisdom and knowledge.
Music is given to us specifically to make order of things, to move from an anarchic, individualistic state to a regulated, perfectly concious one, which alone insures vitality and durability.
