“Clay lies still, but blood’s a rover; Breath’s aware that will not keep. Up, lad: when the journey’s over then there’ll be time enough to sleep.”

Luck’s a chance, but trouble’s sure.

All knots that lovers tie Are tied to sever. Here shall your sweetheart lie, Untrue for ever.

Oh, ’tis jesting, dancing, drinking Spins the heavy world around.

Now hollow fires burn out to black, And lights are guttering low: Square your shoulders, lift your pack And leave your friends and go.

They put arsenic in his meat And stared aghast to watch him eat; They poured strychnine in his cup And shook to see him drink it up.

Some men are more interesting than their books but my book is more interesting than its man.

Earth and high heaven are fixed of old and founded strong.

In every American there is an air of incorrigible innocence, which seems to conceal a diabolical cunning.

The thoughts of others were light and fleeting, Of lovers’ meeting Or luck or fame. Mine were of trouble, And mine were steady; So I was ready When trouble came.

Stars, I have seen them fall, But when they drop and die, No star is lost at all From all the star-sown sky. The toil of all that be Helps not the primal fault; It rains into the sea And still the sea is salt.

Poetry is not the thing said, but the way of saying it.

With rue my heart is laden For golden friends I had, For many a rose-lipped maiden And many a lightfoot lad.

Do not ever read books about versification: no poet ever learnt it that way. If you are going to be a poet, it will come to you naturally and you will pick up all you need from reading poetry.

I do not choose the right word, I get rid of the wrong one.

I think that to transfuse emotion – not to transmit thought but to set up in the reader’s sense a vibration corresponding to what was felt by the writer – is the peculiar function of poetry.

Good religious poetry… is likely to be most justly appreciated and most discriminately relished by the undevout.