Faults in English prose derive not so much from lack of knowledge, intelligence or art as from lack of thought, patience or goodwill.
ROBERT GRAVESBut give thanks, at least, that you still have Frost’s poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!
More Robert Graves Quotes
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The sap of Spring in the young wood a-stir Will celebrate with green the Mother, And every song-bird shout awhile for her; But we are gifted, even in November Rawest of seasons, with so huge a sense Of Her nakedly worn magnificence We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall.
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One smile relieves a heart that grieves.
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Fact is not truth, but a poet who wilfully defies fact cannot achieve truth.
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There is no such thing as good writing, only good rewriting.
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Though philosophers like to define poetry as irrational fancy, for us it is practical, humorous, reasonable way of being ourselves.
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She tells her love while half asleep, In the dark hours, With half-words whispered low: As Earth stirs in her winter sleep And puts out grass and flowers Despite the snow, Despite the falling snow.
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A well-chosen anthology is a complete dispensary of medicine for the more common mental disorders, and may be used as much for prevention as cure.
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I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and – if he is lucky enough – know the love of an honest woman.
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Love at first sight’some say misnaming Discovery of twinned helplessness Against the huge tug of procreation. But friendship at first sight? This also Catches fiercely at the surprised heart So that the cheek blanches then blushes.
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New beginnings and new shoots Spring again from hidden roots Pull or stab or cut or burn, Love must ever yet return.
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No poem is worth anything unless it starts from a poetic trance, out of which you can be wakened by interruption as from a dream. In fact, it is the same thing.
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Take your delight in momentariness, Walk between dark and dark a shining space With the grave ‘s narrowness, though not its peace.
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Kill if you must, but never hate: Man is but grass and hate is blight, The sun will scorch you soon or late, Die wholesome then, since you must fight
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So when I’m killed, don’t wait for me, Walking the dim corridor; In Heaven or Hell, don’t wait for me, Or you must wait for evermore. You’ll find me buried, living-dead In these verses that you’ve read.
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If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.
ROBERT GRAVES