“Entrance and exit wounds are silvered clean, The track aches only when the rain reminds. The one-legged man forgets his leg of wood, The one-armed man his jointed wooden arm. The blinded man sees with his ears and hands As much or more than once with both his eyes.”

Truth-loving Persians do not dwell upon The trivial skirmish fought near Marathon.

One gets to the heart of the matter by a series of experiences in the same pattern, but in different colors.

Love is a universal migraine. A bright stain on the vision, Blotting out reason.

Never use the word ‘audience.’ The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don’t have an ‘audience’. They’re talking to a single person all the time.

I was last in Rome in AD 540 when it was full of Goths and their heavy horses. It has changed a great deal since then.

Marriage, like money, is still with us; and, like money, progressively devalued.

If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.

Poetry is no more a narcotic than a stimulant; it is a universal bittersweet mixture for all possible household emergencies and its action varies accordingly as it is taken in a wineglass or a tablespoon, inhaled, gargled or rubbed on the chest by hard fingers covered with rings.

When I’m killed, don’t think of me Buried there in Cambrin Wood, Nor as in Zion think of me With the Intolerable Good. And there’s one thing that I know well, I’m damned if I’ll be damned to Hell!

But give thanks, at least, that you still have Frost’s poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!

When a dream is born in you With a sudden clamorous pain, When you know the dream is true And lovely, with no flaw nor stain, O then, be careful, or with sudden clutch You’ll hurt the delicate thing you prize so much.

For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.

New beginnings and new shoots Spring again from hidden roots Pull or stab or cut or burn, Love must ever yet return.

To recommend a monarchy on account of the prosperity it gives the provinces seems to me like recommending that a man should have liberty to treat his children as slaves, if at the same time he treats his slaves with reasonable consideration.

Take your delight in momentariness, Walk between dark and dark a shining space With the grave ‘s narrowness, though not its peace.

I believe that every English poet should read the English classics, master the rules of grammar before he attempts to bend or break them, travel abroad, experience the horrors of sordid passion, and – if he is lucky enough – know the love of an honest woman.

My professional persona never loosens its grip, keeping an eye on me at all times.

A kitten is the most irresistible comedian in the world. Its wide-open eyes gleam with wonder and mirth. It darts madly at nothing at all, and then, as though suddenly checked in the pursuit, prances sideways on its hind legs with ridiculous agility and zeal.

There is still vitality under the winter snow, even though to the casual eye it seems to be dead.

When I think of art I think of beauty. Beauty is the mystery of life. It is not in the eye it is in the mind. In our minds there is awareness of perfection.

Place (or put) a spider on top of a mountain, it will only try to catch flies; alas, they are many those who, in the figurative meaning, have spider’s eyes.

Re-vision – the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for woman more than a chapter in cultural history: it is an act of survival.

Re-vision — the act of looking back, of seeing with fresh eyes, of entering an old text from a new critical direction – is for women more than a chapter in cultural history: it is an act of survival.

It’s as if, in the mother’s eyes, her smile, her stroking touch, the child first reads the message:’You are there!’