“There’s a cool web of language winds us in, Retreat from too much joy or too much fear: We grow sea-green at last and coldly die In brininess and volubility.”

Every fairy child may keep Two strong ponies and ten sheep; All have houses, each his own, Built of brick or granite stone; They live on cherries, they run wild I’d love to be a Fairy’s child.

This seems to me a philosophical question, and therefore irrelevant, question. A poet’s destiny is to love.

For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.

Truth-loving Persians do not dwell upon The trivial skirmish fought near Marathon.

One gets to the heart of the matter by a series of experiences in the same pattern, but in different colors.

Love is a universal migraine. A bright stain on the vision, Blotting out reason.

Never use the word ‘audience.’ The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don’t have an ‘audience’. They’re talking to a single person all the time.

I was last in Rome in AD 540 when it was full of Goths and their heavy horses. It has changed a great deal since then.

Marriage, like money, is still with us; and, like money, progressively devalued.

If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.

Poetry is no more a narcotic than a stimulant; it is a universal bittersweet mixture for all possible household emergencies and its action varies accordingly as it is taken in a wineglass or a tablespoon, inhaled, gargled or rubbed on the chest by hard fingers covered with rings.

When I’m killed, don’t think of me Buried there in Cambrin Wood, Nor as in Zion think of me With the Intolerable Good. And there’s one thing that I know well, I’m damned if I’ll be damned to Hell!

But give thanks, at least, that you still have Frost’s poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!

When a dream is born in you With a sudden clamorous pain, When you know the dream is true And lovely, with no flaw nor stain, O then, be careful, or with sudden clutch You’ll hurt the delicate thing you prize so much.

For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.

Entrance and exit wounds are silvered clean, The track aches only when the rain reminds. The one-legged man forgets his leg of wood, The one-armed man his jointed wooden arm. The blinded man sees with his ears and hands As much or more than once with both his eyes.

We forget cruelty and past betrayal, Heedless of where the next bright bolt may fall.

Entrance and exit wounds are silvered clean, The track aches only when the rain reminds. The one-legged man forgets his leg of wood, The one-armed man his jointed wooden arm. The blinded man sees with his ears and hands As much or more than once with both his eyes.

There’s a cool web of language winds us in, Retreat from too much joy or too much fear: We grow sea-green at last and coldly die In brininess and volubility.

Entrance and exit wounds are silvered clean, The track aches only when the rain reminds. The one-legged man forgets his leg of wood, The one-armed man his jointed wooden arm. The blinded man sees with his ears and hands As much or more than once with both his eyes.

Tis not to see the world As from a height, with rapt prophetic eyes, And heart profoundly stirred; And weep, and feel the fullness of the past, The years that are not more.

In college I didn’t dress up every day, for class or stuff like that, but when it came time to do certain things I’d dress up for sure.

This I regard as history’s highest function, to let no worthy action be uncommemorated, and to hold out the reprobation of posterity as a terror to evil words and deeds.

All the live murmur of a summer’s day.