One thing that I learned in recent years from working more with other people is this idea that part of a producer’s job is to make people comfortable and confident.
A-TRAKI’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
More A-Trak Quotes
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There are things I like, there are things I strongly dislike. In my DJ sets and in my production I just gravitate towards what I like.
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I think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
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There’s a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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That was my challenge then, how to make scratching still fun for someone who didn’t necessarily come to hear that. It was fun to develop that technique. And now in dance music – I’m still a hip-hop guy at heart, but I love dance music.
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It’s always important to me to play something other DJs aren’t playing.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I’m very glad that it’s happening.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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I’m one of the few DJs who uses turntables. I’m the only DJ that’s scratching.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it’s to me it’s extra gratifying to be able to play the non-bangers and make it work. Because that’s still the craft of the DJ, I think.
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