That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
A-TRAKI’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
More A-Trak Quotes
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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I’m one of the few DJs who uses turntables. I’m the only DJ that’s scratching.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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It’s always important to me to play something other DJs aren’t playing.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
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That was my challenge then, how to make scratching still fun for someone who didn’t necessarily come to hear that. It was fun to develop that technique. And now in dance music – I’m still a hip-hop guy at heart, but I love dance music.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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Building the scene, going out and doing shows and connecting with the fans, cultivating the fanbase in all these cities. I’m very glad that it’s happening.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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At festivals you kind of have to play the game a bit and you have to play a lot of the big bangers but it’s to me it’s extra gratifying to be able to play the non-bangers and make it work. Because that’s still the craft of the DJ, I think.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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Right now it feels like we’re playing a role, like me and a couple of my friends, in where popular culture is going. That’s a very rare thing in a person’s life to be able to be a part of that. It’s a responsibility I take seriously.
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I think whether dance music had exploded in America, I still would’ve been a DJ a long time. This is my first love.
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