“What a photograph shows us is how a particular thing could be seen, or could be made to look – at a specific moment, in a specific context, by a specific photographer employing specific tools.”

The simple fact is this: There are no neutral photographs.

Photographs are of course about their makers, and are to be read for what they disclose in that regard no less than for what they reveal of the world as their makers comprehend, invent, and describe it.

It is no coincidence that one cardinal rule in brainwashing is to remove from the victim all photographs of himself and people he has known.

… the battle for the acceptance of photography as Art was not only counter-productive but counter-revolutionary. The most important photography is most emphatically not Art.

The past is always with us, in the form of our photographs, which we feel as we might a rosary, wearing them smooth with the fingering of our eyes.

We’ve spent now about 150 years trying to convince ourselves that photographs are reliable evidence, some unimpeachable slice of the real world. That was a myth from the very beginning.

You don’t adjust. You just dominate.

Japanese people tend to be much better adjusted to the notion of work, any kind of work, as honorable.

The fool tries to adjust the truth so he does not have to adjust to it.

There are things I can’t force. I must adjust. There are times when the greatest change needed is a change of my viewpoint.

When truth presents itself, the wise person see the light, takes it in, and makes adjustments. The fool tries to adjust the truth so he does not have to adjust to it.

Be real and adjust you strategy according to honest results.

While for Israel it is about security and trust. And security is something you can’t adjust. If you make a mistake on the scrutiny issue, there is no going back.

Getting adjusted regularly is part of my goal to win in life and on the field.