I think one of the biggest things that’s changed in terms of the rapport with the crowd is that now crowds come to hear our songs. We’re getting closer and closer to an artist performance.
A-TRAKRight now it feels like we’re playing a role, like me and a couple of my friends, in where popular culture is going. That’s a very rare thing in a person’s life to be able to be a part of that. It’s a responsibility I take seriously.
More A-Trak Quotes
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I’ve been doing it since I was prepubescent when I loved to scratch records and play good music. As it happens, you know I sort of fell into the mix. I really feel like I played a role in bringing dance music to America years ago.
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That’s what a DJ is at the end of the day – someone who leads where the music goes. The only thing that’s changed is that in America, people have woken up in the last few years and realized it.
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I’m still a hip-hop producer. I never put a label on what I can do as a producer or a DJ.
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I was a bit of an outsider in the hip-hop world because I was a scratch kid and people weren’t necessarily trying to hear that all the time.
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I’m one of the few DJs who uses turntables. I’m the only DJ that’s scratching.
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I love disco and we sample it a lot for Duck Sauce. For me, that sound is kind of a new manifestation.
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My ears are open to all sorts of stuff. I appreciate some of the big electro house guys.I love their music but I also like a lot of the stuff coming out of the U.K. Future garage stuff. A lot of stuff like that.
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There’s a lot of producers that are much more technical or gear-skilled than I am. But I have a pure idea of what I like and where I want to go and I follow that.
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That was my challenge then, how to make scratching still fun for someone who didn’t necessarily come to hear that. It was fun to develop that technique. And now in dance music – I’m still a hip-hop guy at heart, but I love dance music.
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The essential component of being a DJ is setting the mood; it’s playing to the context. So that if you’re not able to adapt from one context to another, then you’re not a DJ.
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I’m not even a trained producer. I just keep following my ear and working on stuff until it sounds the way I like it.
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At the end of the day, Fool’s Gold is a label that, when I hear something I like, I try to grab it for the label. There’s a ton of great music coming out.
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It’s a good feeling to have something to stand for in any part of your life. It’s like personal integrity.
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A few guys will get up there with turntables as purists, to play vinyl or whatever.
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We have to wake up early and make songs everyday. I run my record label. You work at hours where your body isn’t designed to work. But it’s fun.
A-TRAK







