“I’ll be making music ’til the day I die. I’ve done all kinds of stuff, and more is coming.”

I boil the strings so they stretch.

There are really three parts to the creative process. First there is inspiration, then there is the execution, and finally there is the release.

The stainless-steel frets were a major breakthrough, because of the amount of playing and bending that I do. I have to get my guitars refretted every couple of months.

Rock stars come and go. Musicians play until they die.

I think Clapton is brilliant. He’s the only one who moved me. The only one who made me want to play the guitar.

Holdsworth is so damned good that I can’t cop anything. I can’t understand what he’s doing. I’ve got to do this [does two-hand tapping], whereas he’ll do it with one hand.

It’s always a Catch-22 situation. They hate you if you’re the same, and they hate you if you’re different.

I have selective hearing.

I’m writing, and just doing the same thing I always do.

Every song is like a kid. How can you have that many kids and have a favorite? Which one do I like to hang most with?

A good producer brings out the best in the artist he’s working with. You shouldn’t be able to listen to something and say, ‘So-and-so produced this album.

You only have 12 notes. Do what you want with them.

I’m the one in the band that said I’m not going on tour unless we do a record.

Cancer is like a cockroach. It just comes back stronger. I’m tearing apart the immune system of the cockroach and seeing how it ticks. I’ve opened up my own pathology center.

When I was growing up and listening to bands like the Dave Clark Five, the groove was what initially got me going. I really like that funky, heavy groove.

I was trying to take the band in a direction that I thought was appropriate, and Roth was trying to take the band in more of a Las Vegas direction. And there he is.

As a wise man once said, “April Fools Day is for amateurs. You NEVER need an excuse to mess with people’s heads.”

So that was a joke that I continue up to this very day.

We start to realize that there are anodynes in life that help us through the day.

I would come home and she would tell me about her life that day and all her problems and I remember saying to her, look, you really got me through this picture because I would shed everything when I came home.

You grow up real quick, a half-Mexican in a sailor’s suit, because I’d be riding the streetcar to school everyday.

We measure our days out in steps of uncertainty not turning to see how far we’ve come.

If I was a painter no one would question me about my age. I’m an artist, I hate saying that.

I believe in one day at a time; you’ve got TODAY, that’s what you’ ve got.