The key to Zeppelin’s longevity has been change.
JIMMY PAGEI deal in emotions. It’s the harmonic side that’s important. That’s the side I expected to be much further along on than I am now. That just means to say that I’ve got to keep at it.
More Jimmy Page Quotes
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When I went over to the States to promote Outrider, everyone was telling me I was a blues guitarist. I’m not a bloody blues guitarist. I’m a guitarist.
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Let’s just say I’m like a ship passing through storms, resting in ports now and then until it’s time to continue the journey. I once told a friend, `I’m just looking for an angel with a broken wing – one that couldn’t fly away.’
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I like change and I like contrast.
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I always felt if we were going in to do an album, there should already be a lot of structure already made up so we could get on with that and see what else happened.
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I think it’s time to travel, start gathering some real right-in-there experiences with street musicians around the world.
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There’s so much that can be done on the guitar. And that’s what is so good about the guitar – everyone can really enjoy themselves on it and have a good time, which is what it’s all about.
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I have a voracious appetite for all things, worldly and unworldly.
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You can’t buy time. Everything, for me, seems to be a race against time. Especially musically.
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There’s music that can affect people in their lives, and they will always relate to the point that they heard it and experienced it, either if you’re playing it or you’re receptive, as an audience.
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You can’t overthink the music. Mood and intensity can’t be manufactured. The blues isn’t about structure; it’s what you bring to it. The spontaneity of capturing a specific moment is what drives it.
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I think it was that we were really seasoned musicians. We had serious roots that spanned different cultures, obviously the blues.
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Once I got a guitar that was relatively user-friendly, but not super-duper easy, I really came on as a guitarist, at that point. It helped. It was a super-expensive guitar either, but something needs to steer you a bit, if you’re playing an instrument that is really hard.
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Every musician wants to do something which will hold up for a long time, and I guess we did it with ‘Stairway to Heaven.’
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I don’t like to tell people what format they can get things in, or say, “I’m only going to release this on vinyl and nothing else. You have to come to my world.” I don’t like to say that to people either. But, I do think there’s a loss of romance.
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Just because you play bass, doesn’t mean you have no presence.
JIMMY PAGE