The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I’d be thinking about going back to set on Monday just to see the baby.
I don’t think a lot of actors talk about it, but there’s usually a process where you essentially purge yourself of the character that you played prior to the movie.
I always want another actor to shine in my scene because it makes the film stronger. I would encourage people to scene steal, because filmmaking is a collaborative effort.
When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
I enjoy playing a quintessential antihero. There’s something therapeutic about playing such characters. I know it sounds corny but I feel like I learn about myself when I play that characters.
I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
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