“I’m not a big fan of lead vocalists, people who sing but don’t play. I never wanted to be in a band where the guy who was up front just sang. I’ve always thought it better when one of the musicians sings, like Steve Winwood.”

It’s very dependent on your state of mind. And your emotional state as well. And a lot of it comes pouring out, you don’t really have that much control with it.

Well, I think part of my gift, or if I have one, is that I love listening.

I did play a lot of fingerstyle when I first started playing. I could never really find the right combination of flatpick or fingerpick, so playing fingerstyle is really the easiest way – though it’s quite strenuous on the fingertips.

The first band I identified with from Chicago was the Muddy Waters band.

When I’m wrong it’s never meant for you, so don’t confuse my love with what I do.

I remember hearing Sonny Terry and Brownie McGhee, Big Bill Broonzy, Chuck Berry and Bo Diddley and not really knowing anything about the geography or the culture of the music. But for some reason it did something to me – it resonated.

It was stumbling on to really the bible of the blues, you know, and a very powerful drug to be introduced to us and I absorbed it totally, and it changed my complete outlook on music.

The thing about pessimism is that in most cases it’s nothing more than a front behind which a body can hide its most sweetful yet painful hopes. please forgive mine.

I used to do crazy things that people would bail me out of, and I’m just grateful that I survived. But the music got very lost; I didn’t know where I was going, and I didn’t really care. I was more into just having a good time, and I think it showed.

It’s taken me to be an older guy, an old man, to have an old man’s voice. Because I only liked old men’s voices. As a kid, I didn’t like pip-squeaked singers.

In playing, I suppose my greatest gift was to express the way I felt or the willingness to express myself.

Musically, he was like an old man in a boy’s skin.

They looked great, you know the drawings of the guys playing looked great and bits of string around their necks. So it didn’t seem to be that difficult a thing to do, or that inaccessible.

Leave bands, go back to obscurity if I choose to, without a great sense of loss of security because it’s all been based on the fact that I did it on my own or was doing, enjoying doing it on my own in the first place.

So there I was in Hollywood, thinking I was doing good.

It’s been up to me to inspire me.

I like to make something beautiful when I run … it’s style. It’s doing something better than anyone else. It’s being creative.

It is better to live under a tree in a jungle inhabited by tigers and elephants, to maintain oneself in such a place with ripe fruits and spring water, to lie down on grass and to wear the ragged barks of trees than to live amongst one’s relations when reduced to poverty.

The most personal thing I’ve put in [Touch of Evil] is my hatred of the abuse of police power. It’s better to see a murderer go free than for a policeman to abuse his power.

I don’t want to wake up and be bored. That’s probably my greatest fear is to have nothing to do. What better job is there than to play quarterback for an NFL team, and certainly one that I’ve been on for a long time and had success with? I don’t plan on giving it up any time soon.

It’s better to prepare than to repair.

The only one you should compare yourself to is you. Your mission is to become better today than you were yesterday.

I often see only my mistakes. I always feel I could have done better. Every artist goes through it.

Competitive spirit is still at a premium. The more you win, the better you play, the more money you make, so they all have that in mind.