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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

Vin Diesel

I’m not really afraid of the dark, except if I’m walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
VIN DIESEL

Afraid Darkness Exception Lips Myself Possible Walk Wall
You live these three months in this reality, in this dark reality, you don’t want to do those films every year because they’re taxing. I started smoking a lot of cigarettes.
VIN DIESEL

Darkness Live Reality Smoke Start Yourself
The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.
VIN DIESEL

Education Help Learning Marketing Myself Skills Time
If you think about my filmography, I have never done a movie that a kid could go see, except for Iron Giant, and I’m not even on the screen.
VIN DIESEL

Children Exception Movie Myself Screen See Thinking
I grew up the son of an acting teacher but I’ve never been really good at articulating what that process is. It was always a bit more internal.
VIN DIESEL

Growth Internal Myself Process Son
I would love to do more science fiction. I always envisioned the Riddick franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
VIN DIESEL

Fiction Follow Imagination Love Myself Mythology Science Vision
I’m not disciplined enough to be a writer consistently. I write when I have to.
VIN DIESEL

Consistent Discipline Enough Myself Writing
Of course, I don’t act in an extreme fashion in my day to day life. I don’t think any of us live do. I think we all have that reserve somewhere and we pull upon it when we need it.
VIN DIESEL

Day Extreme Fashion Life Myself Need Thinking
I’m a New Yorker. I always have issues with trust – you adopt it from being a New Yorker.
VIN DIESEL

Adopt Issues Myself Trust
When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
VIN DIESEL

Character Focus Myself Pocket Possible Process Stay
When people believe in you, you can do miraculous things.
VIN DIESEL

Believe Miracle People Yourself
Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
VIN DIESEL

Art Collaboration Pieces Togetherness Yourself
I am flattered that they think that many people would enjoy my work. I don’t approach any genre a different way than I may approach another one. I treat every role I do like a role worthy of applying whatever kind of tactic, process and talent I have.
VIN DIESEL

Approach Enjoyment Flattery Kind Myself People Talent Thinking Worth
The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I’d be thinking about going back to set on Monday just to see the baby.
VIN DIESEL

Beyond Experience Myself Relationship Thinking
Film is my hobby, so I will work well through the night to develop films, whatever film I’m doing or dream projects I have.
VIN DIESEL

Development Dreams Myself Night Project Work
It’s really bizarre because no one knows this, but elephants have killed more animal trainers than any other animal.
VIN DIESEL

Animal Herself Kill Training

My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

Related Topics

Popular Authors

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