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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

Vin Diesel

If it’s an amazing role, I’ll do anything.
VIN DIESEL

Amazing Myself Role
I’m an actor. I can do whatever I want. As an actor, not everything has to be the most obvious choice. And sometimes, the best thing you can do is to defy expectations.
VIN DIESEL

Actor Best Choice Expectation Myself
The whole year I was in LA I got into telemarketing and learned how to make money. Five years later that skill helped me make my first film.
VIN DIESEL

Education Help Learning Marketing Myself Skills Time
A person in my position has to restrain himself.
VIN DIESEL

Himself Person Position Strain
It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.
VIN DIESEL

Call Details Himself Movie Revenge Thinking Traditional
I’m not really afraid of the dark, except if I’m walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
VIN DIESEL

Afraid Darkness Exception Lips Myself Possible Walk Wall
If you take my performance or my understanding of the role and my appreciation for story and then dress it in CGI, that I guess becomes an action film.
VIN DIESEL

Action Appreciation Movie Performance Role Understand Yourself
I would love to do more science fiction. I always envisioned the Riddick franchise as a continuing mythology, so I always imagined that there would be many other films to follow.
VIN DIESEL

Fiction Follow Imagination Love Myself Mythology Science Vision
Nothing comes easy when I’m in character, because everything I do in character, I take seriously.
VIN DIESEL

Character Easy Myself Serious
If you think about my filmography, I have never done a movie that a kid could go see, except for Iron Giant, and I’m not even on the screen.
VIN DIESEL

Children Exception Movie Myself Screen See Thinking
With age, you get to a place where you don’t want to knock people out. You just want to give people a hug.
VIN DIESEL

Age People Place Yourself
Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
VIN DIESEL

Art Collaboration Pieces Togetherness Yourself
I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
VIN DIESEL

Artist Community Growth Myself
When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
VIN DIESEL

Character Focus Myself Pocket Possible Process Stay
Video games are one step before a whole other virtual universe.
VIN DIESEL

Game Oneself Universe Virtual
I always want another actor to shine in my scene because it makes the film stronger. I would encourage people to scene steal, because filmmaking is a collaborative effort.
VIN DIESEL

Actor Collaboration Effort Movie Myself Scene Shine Steal Strong

My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.

Related Topics

Popular Authors

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