Where choice begins, Paradise ends, innocence ends, for what is Paradise but the absence of any need to choose this action?
ARTHUR MILLERThe closer a man approaches tragedy the more intense is his concentration of emotion upon the fixed point of his commitment, which is to say the closer he approaches what in life we call fanaticism.
More Arthur Miller Quotes
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I’m the end of the line; absurd and appalling as it may seem, serious New York theater has died in my lifetime.
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A child’s spirit is like a child, you can never catch it by running after it; you must stand still, and, for love, it will soon itself come back.
ARTHUR MILLER -
The theater is so endlessly fascinating because it’s so accidental. It’s so much like life.
ARTHUR MILLER -
Betrayal is the only truth that sticks.
ARTHUR MILLER -
A playwright lives in an occupied country. And if you can’t live that way you don’t stay.
ARTHUR MILLER -
If I have any justification for having lived it’s simply, I’m nothing but faults, failures and so on, but I have tried to make a good pair of shoes. There’s some value in that.
ARTHUR MILLER -
Don’t be seduced into thinking that that which does not make a profit is without value.
ARTHUR MILLER -
All we are is a lot of talking nitrogen.
ARTHUR MILLER -
I think it’s a mistake to ever look for hope outside of one’s self.
ARTHUR MILLER -
He wants to live on through something-and in his case, his masterpiece is his son. all of us want that, and it gets more poignant as we get more anonymous in this world.
ARTHUR MILLER -
I have made more friends for American culture than the State Department. Certainly I have made fewer enemies, but that isn’t very difficult.
ARTHUR MILLER -
Can anyone remember love? It’s like trying to summon up the smell of roses in a cellar. You might see a rose, but never the perfume.
ARTHUR MILLER -
Certainly the most diverse, if minor, pastime of literary life is the game of Find the Author.
ARTHUR MILLER -
Well, all the plays that I was trying to write were plays that would grab an audience by the throat and not release them, rather than presenting an emotion which you could observe and walk away from.
ARTHUR MILLER -
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
ARTHUR MILLER