“I stopped telling people what lyrics meant to them when I saw them tattoo it on them, because it clearly meant much more to them than it ever did to me.”

I am not a very superstitious person, but I do believe in mental preparation.

Working on TV shows was fun, but I felt crazy pressured and stressed.

I came to NAMM once and saw this guitar that self-tuned, and I thought, ‘Wow, this is the future!’ And I’ve never seen it again.

If you’re thinking about all the possibilities of your life, there are extreme negatives, which you hope don’t happen, and extreme positives, which you just aren’t willing to think about because you think you’ll jinx it.

The amount of times I’ve been told something by artists I’m working with, which I’m sure they haven’t told even their significant other or families, is shocking.

The excuse of having a dog is great, because before I had a dog, I wouldn’t be like, ‘I need to go hike for two hours’; my girlfriend would have been like, ‘What are you doing?’ Now I take the dog, and she comes with me.

There’s always a better word than a swear word.

Well, predominately, if I’m writing for another artist, I’m sitting there with them and we’re writing it together.

It’s always important to be checking in with people you love.

I have nothing against reverb.

Our mom cooks well, and we cook poorly. We try.

The way that we tried to approach every piece of music is, if the song had a brain, it would be aware of its catalog.

People were like, ‘he’s collaborating with Taylor Swift’ and I was like, ‘I am?’ I think she’s wonderful. Her songwriting has inspired me for years.

You go to a truck stop and there are key chains with names on them, and there’s no Finneas. There’s no Billie. They’re little things, but as a kid, you just feel weirdly ostracized.

I really value just being able to go out and grab a coffee or going to a movie and not have anyone recognize me.

You know, that’s kind of always been our philosophy: not letting the place that we are get in the way of making great music.