It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
CLAUDE MONETIt is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
CLAUDE MONETWhen I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
CLAUDE MONETI don’t think I’m made for any earthly kind of pleasure.
CLAUDE MONETI do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
CLAUDE MONETDespite my extremely modest prices, dealers and art lovers are turning their backs on me. It is very depressing to see the lack of interest shown in an art object which has no market value.
CLAUDE MONETWhen I work I forget all the rest.
CLAUDE MONETWithout the fog, London would not be a beautiful city. It is fog that gives it its magnificent amplitude its regular and massive blocks become grandiose in that mysterious mantle.
CLAUDE MONETI’ve been working so hard that I’m exhausted… I feel I won’t be able to do without a few weeks’ rest, so I’m going off to see the sea.
CLAUDE MONETI’m continuing to work hard, not without periods of discouragement, but my strength comes back again.
CLAUDE MONETIt is better to have done something than to have been someone.
CLAUDE MONETThe light constantly changes, and that alters the atmosphere and beauty of things every minute.
CLAUDE MONETGetting up at 4 in the morning, I slave away all day until by the evening I’m exhausted, and I end by forgetting all my responsibilities, thinking only of the work I’ve set out to do.
CLAUDE MONETI’ve done what I could as a painter and that seems to me to be sufficient. I don’t want to be compared to the great masters of the past, and my painting is open to criticism; that’s enough.
CLAUDE MONETThe only merit I have is to have painted directly from nature with the aim of conveying my impressions in front of the most fugitive effects.
CLAUDE MONETFor me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
CLAUDE MONETOne can do something if one can see and understand it.
CLAUDE MONET