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I’ve said it before and can only repeat that I owe everything to Boudin and I attribute my success to him. I came to be fascinated by his studies, the products of what I call instantaneity.

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Techniques vary, art stays the same; it is a transposition of nature at once forceful and sensitive.
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When I work I forget all the rest.
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To see we must forget the name of the thing we are looking at.
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I still have a lot of pleasure doing them, but as time goes by I come to appreciate more clearly which paintings are good and which should be discarded.
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I am following Nature without being able to grasp her, I perhaps owe having become a painter to flowers.
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If only the weather would improve, there’d be hope of some work, but every day brings rain.
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My work is always better when I am alone and follow my own impressions.
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One can do something if one can see and understand it.
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It’s enough to drive you crazy, trying to depict the weather, the atmosphere, the ambience.
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It is a tragedy that we live in a world where physical courage is so common, and moral courage is so rare.
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The richness I achieve comes from nature, the source of my inspiration.
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Without the fog, London would not be a beautiful city. It is fog that gives it its magnificent amplitude its regular and massive blocks become grandiose in that mysterious mantle.
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I will bring lots of studies back with me so I can work on some big things at home.
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All of a sudden I had the revelation of how enchanting my pond was.
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