Never, even as a child, would I bend to a rule.
CLAUDE MONETEveryone discusses my art and pretends to understand, as if it were necessary to understand, when it is simply necessary to love.
More Claude Monet Quotes
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When I look at nature I feel as if I’ll be able to paint it all, note it all down, and then you might as well forget it once you’re working.
CLAUDE MONET -
I do what I can to convey what I experience before nature and most often, in order to succeed in conveying what I feel, I totally forget the most elementary rules of painting, if they exist that is.
CLAUDE MONET -
I say that whoever claims to have finished a canvas is terribly arrogant.
CLAUDE MONET -
The richness I achieve comes from nature, the source of my inspiration.
CLAUDE MONET -
I never draw except with brush and paint.
CLAUDE MONET -
Take clear water with grass waving at the bottom. It’s wonderful to look at, but to try to paint it is enough to make one insane.
CLAUDE MONET -
I would advise young artists to paint as they can, as long as they can, without being afraid of painting badly.
CLAUDE MONET -
It is only too easy to catch people’s attention by doing something worse than anyone else has dared to do it before.
CLAUDE MONET -
My garden is my most beautiful masterpiece
CLAUDE MONET -
My only desire is an intimate infusion with nature, and the only fate I wish is to have worked and lived in harmony with her laws.
CLAUDE MONET -
I am very depressed and deeply disgusted with painting. It is really a continual torture.
CLAUDE MONET -
I let a good many mistakes show through when fixing my sensations. It will always be the same and this is what makes me despair.
CLAUDE MONET -
I want to paint the air in which the bridge, the house and the boat are to be found – the beauty of the air around them, and that is nothing less than the impossible.
CLAUDE MONET -
For me, the subject is of secondary importance: I want to convey what is alive between me and the subject.
CLAUDE MONET -
I still have a lot of pleasure doing them, but as time goes by I come to appreciate more clearly which paintings are good and which should be discarded.
CLAUDE MONET