The relationship with a producer and an artist is really special. It’s got to be love and respect, amazing mutual respect for each other, because that’s what makes a good record.
When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
I chose the trombone because the trombone players in the marching band got to be up front with the majorettes (because of the slides) and I loved that!
After every war, there was a significant change in the music, and I can understand how that happened. If you participate in protecting the country, you think you can be part of it, but you come back home and it’s worse than ever.
It’s easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
