“I didn’t want to be an actress; I never thought of being an actress because, as children, there were three of us – I was the middle child – and we spent our time in church from Sunday morning to Saturday night.”

The gratification comes, for me, in the doing of it. And once I’ve done it, I can’t do anything about it if it’s good or if it’s bad.

One of the things I have always said about the man-woman relationship is that I don’t want anybody to walk ahead of me, and I don’t want anybody to walk behind me. I want a man who will walk along beside me. And that’s how I feel about equal rights.

You never know what motivates you.

I think when you begin to think of yourself as having achieved something, then there’s nothing left for you to work towards. I want to believe that there is a mountain so high that I will spend my entire life striving to reach the top of it.

In my early years, there were a number of experiences that made me decide I could not afford the luxury of just being an actress. There were a number of issues I wanted to address. And I wanted to use my career as a platform.

Unless a piece really said something, I had no interest in it. I have got to know that I have served some purpose here.

Now, I am perfectly willing to just enjoy my career by choosing roles simply because I consider them to be a challenge and doing the best possible job I can.

My mother was an introvert and quite religious. And we were brought up in the church. And when she learned that I wanted to act, she simply said: ‘You cannot live here and do that.’

When I told my mother that I wanted to be an actress, she said, you can’t live here and do that, and so I moved out. I was determined to prove her wrong because she was so sure that I was going to go astray. And that’s the juice that kept me going.

How do you project a character if you don’t have a sense of where she is from? I’ve always just gotten on a plane to go to the area to get a sense of what it is like, to smell it, feel the earth, hear people talk, go to the marketplaces.

One lady told me that before she saw ‘Sounder’ she didn’t believe black people could love each other, have deep relationships in the same way as white people.

We have to support our own films. If we don’t, how can we expect others to support them?

I feel so guilty about the state of young people today. And I say that because our generation fought for everything. We fought to sit down at a counter, to sit on a bus. They were left with nothing to fight for.

My gratification in working comes from the preparation and the building of the character.

I don’t think you can measure wealth in dollars and cents. I really don’t believe that at all because there are some things that money cannot buy. One of them is health. And the other is security in your relationships and friends.

The choices of roles I made had to do with educating and entertaining. And as a result I found myself working only every two or three years.

My sexual nature is irrelevant. I’m an actor, I play roles, fragments of myself.

I want to really stress this, I am a director, an actor, producer, action choreographer, and I’m also an investor.

The audience makes the decision of what kind of actor they want to watch. I always have said in the last 20 years, the real boss is the audience.

Method actors are like hams.

If there is something magic about the collaborations I have with actors it’s because I put the character first.

Only a madman or an actor would want to be President of the United States.

My parents said, Oh, he’s going to be a director someday. I wanted to be an actor.

My experience of singing, as an actor, was that there’s a different creative feeling of freedom. The acting thing is a bit more defined and cerebral. I can see why people would want to cross over. If you have so much freedom on stage then perhaps you want to be confined a bit, and vice versa.