I’m basically like, you know, learned pretty quickly the guy who throws the first punch usually wins, so when people gave me a hard time I just punched them.
QUENTIN TARANTINOSomething stopped me in school a little bit. Anything that I’m not interested in, I can’t even feign interest.
More Quentin Tarantino Quotes
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That’s how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
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To me, movies and music go hand in hand. When I’m writing a script, one of the first things I do is find the music I’m going to play for the opening sequence.
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Just because I was at an anti-police brutality protest, doesn’t mean I’m anti-police. We want justice, but stop shooting unarmed people.
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You don’t have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can’t help but make a good movie.
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There are a lot of bad screenplays so if you write a good screenplay people are going to respond to it.
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All my movies are achingly personal.
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My only obligation is to my characters. And they came from where I have been.
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If I’ve made it a little easier for artists to work in violence, great! I’ve accomplished something.
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In real life there are no bad guys. Everybody just has their own perspective.
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It’s nice to get invited to the parties and to be able to hobnob and celebrate a job well done with your colleagues.
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I don’t think there’s anything to be afraid of. Failure brings great rewards – in the life of an artist.
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I don’t have to play the song all the way to the very end – I use it while it’s good and while it’s cool and while it’s exciting, and then I get out.
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As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
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You can’t write poetry on the computer.
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If you want to make a movie, make it. Don’t wait for a grant, don’t wait for the perfect circumstances, just make it.
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Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
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Movies are not about the weekend that they’re released, and in the grand scheme of things, that’s probably the most unimportant time of a film’s life.
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Violence is fun, man.
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I don’t believe in elitism. I don’t think the audience is this dumb person lower than me. I am the audience.
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When I make a movie, I want it to be everything to me; like I would die for it.
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As a viewer, the minute I start getting confused, I check out of the movie. Emotionally, I’m severed.
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A movie doesn’t have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that’s good enough.
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I write movies about mavericks, about people who break rules, and I don’t like movies about people who are pulverised for being mavericks.
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I’ve always thought my soundtracks do pretty good, because they’re basically professional equivalents of a mix tape I’d make for you at home.
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I want to top expectations. I want to blow you away.
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I don’t judge my characters, and that’s my job not to judge them. It’s my job to treat them with respect and to just look at it from their point of view.
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