A movie doesn’t have to do everything. A movie just has to do a couple of things. If it does those things well and gives you a cool night at the movies, an emotion, that’s good enough.
QUENTIN TARANTINOI steal from every movie ever made.
More Quentin Tarantino Quotes
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I want to risk hitting my head on the ceiling of my talent. I want to really test it out and say: O.K., you’re not that good. You just reached the level here. I don’t ever want to fail, but I want to risk failure every time out of the gate.
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Movies are my religion and God is my patron. I’m lucky enough to be in the position where I don’t make movies to pay for my pool. When I make a movie, I want it to be everything to me; like I would die for it.
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In real life there are no bad guys. Everybody just has their own perspective.
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That’s how it always is with me: the thing that sets me down to start writing is usually not what I end up doing. Because, as much as I love genre, and I try to deliver the goods, I go off from it. I go do my own thing.
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One thing I don’t understand is that average American movie-goers cannot watch a movie for three hours, yet they’ll watch a stupid, boring, horrific football game for four hours. Now, that is boredom at its most colossal.
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Just because I was at an anti-police brutality protest, doesn’t mean I’m anti-police. We want justice, but stop shooting unarmed people.
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You don’t have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can’t help but make a good movie.
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I’ve always considered myself a filmmaker who writes stuff for himself to do.
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As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
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I want to have the fun of doing anime and I love anime, but I can’t do storyboards because I can’t really draw and that’s what they live and die on.
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Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
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Violence is fun, man.
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I don’t judge my characters, and that’s my job not to judge them. It’s my job to treat them with respect and to just look at it from their point of view.
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I write movies about mavericks, about people who break rules, and I don’t like movies about people who are pulverised for being mavericks.
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I try not to get analytical in the writing process. I try to just kind of keep the flow from my brain to my hand as far as the pen is concerned and go with the moment and go with my guts.
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