It is wrong to have an ideal view of the world. That’s where the mischief starts. That’s where everything starts unravelling.
V.S. NAIPAULMost people are not really free. They are confined by the niche in the world that they carve out for themselves. They limit themselves to fewer possibilities by the narrowness of their vision.
More V.S. Naipaul Quotes
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That element of surprise is what I look for when I am writing. It is my way of judging what I am doing – which is never an easy thing to do.
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It’s very attractive to people to be a victim. Instead of having to think out the whole situation, about history and your group and what you are doing. If you begin from the point of view of being a victim, you’ve got it half-made. I mean intellectually.
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You can’t deny what you’ve learned; you can’t deny your travels; you can’t deny the nature of your life.
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When I learnt to write I became my own master, I became very strong, and that strength is with me to this very day.
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Whatever extra there is in me at any given moment isn’t fully formed. I am hardly aware of it; it awaits the next book. It will – with luck – come to me during the actual writing, and it will take me by surprise
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I still think it’s really quite wonderful when I read a sentence of mine and it has that quality of lastingness.
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It isn’t that there’s no right and wrong here. There’s no right.
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Argentine political life is like the life of an ant community or an African forest tribe: full of events, full of crisis and deaths, but life is always cyclical, and the year ends as it begins.
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It has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say ‘my ancestral culture does not exist, it doesn’t matter’.
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To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn’t know that somehow in the past I had written a book, I would have given up.
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We cannot understand all the traits we have inherited. Sometimes we can be strangers to ourselves.
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The first 50 years of the cinema were absolutely great years. Original minds were at work establishing the ways to tell a story. And what is happening now is a copying, a pastiche-ing of what was done by great men.
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If a writer doesn’t generate hostility, he is dead.
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People come and go all the time; the world has always been in movement.
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Some writers can only deal with childhood experience, because it’s complete. For another kind of writer, life goes on, and he’s able to keep processing that as well.
V.S. NAIPAUL