When I write, I disturb. When I show a film, I disturb. When I exhibit my painting, I disturb, and I disturb if I don’t. I have a knack for disturbing.
Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don’t like – then cultivate it. That’s the only part of your work that’s individual and worth keeping.
Such is the role of poetry. It unveils, in the strict sense of the word. It lays bare, under a light which shakes off torpor, the surprising things which surround us and which our senses record mechanically.
