“I think the perception of audiences that love folk and country is they’re perceived to be more closed-minded than they really are.”

I love that drag is a way for people to vacation in the gay nightlife, but… it’s quite a different experience to perform for a gay audience than a straight audience.

I love that drag is a way for people to vacation in the gay nightlife, but… it’s quite a different experience to perform for a gay audience than a straight audience.

That’s something I like about drag – I get to do everything. Collaborative arts are hard for me because I don’t really like to relinquish control.

Some of my favorite drag queens are women.

Drag Race’ is sort of like trying to lift weights – like, 50 pounds when you should’ve been lifting 20.

When I was on ‘Drag Race,’ it felt like a serious competition going on between drag queens and then Katya and I were also there.

Drag Race’ doesn’t claim to represent drag as a whole. ‘Drag Race’ is a reality show. If you see real drag shows, we just do drag and respect each other’s art and who your real identity is – name, gender, hair color, anything.

I love my life so much. I wouldn’t change anything.

When someone says ‘Yasss queen!’ to me, I turn around and, X-Men style, run through a wall. You’ll never hear from me again.

I think people are slowly realizing that don’t have to be looking in a mirror to enjoy something. And they’re realizing that watching a show with drag queens in it doesn’t make you gay any more then listening to rap makes you black.

I have definitely had guys walk up to me, put their arm around me, and when they walk away, my shoulder smells like taco meat.

I’m not good at anything! I can do, like, two voices.

Something ‘Drag Race’ is really good at is portraying us as artists but also human beings. And normal human beings don’t know everything. They don’t have all the answers.

The best way to create emotional or spiritual distance between me and another person is for them to come up to me and go, ‘yaassssss.’

When I’m in drag, I don’t always want to be spoken to, but I love being looked at. Nobody puts that much work into how they look to be ignored.

Dark comedy helped me survive.

One thing we do really well on Archer and one thing I’ve always tried to do in my comedy and my writing and my podcast is to never speak down to my audience.

The masterful work of the DP [Director of Photography] Kevin McKnight and his crew, and the layers and depths each actor goes to to ensure we the audience feel a human connection to these characters led me to sign my name on the dotted line.

I love it when I come across a word I don’t know. And I would never treat my audience like they weren’t smart enough to come along with me.

I’ve just got to be myself and hopefully people will find me. And my audience did find me.

I’ve always believed that the way you affect your audience is more important than how many of them are there.

I like any and all of my associations with music: writing, playing, and listening. We write and play from our perspective, and the audience listens from its perspective. If and when we agree, I am lucky.

The audience is the controlling factor in the actor’s life. It is practically infallible, since there is no appeal from its verdict. It is a little like a supreme court composed of irresponsible minors.

You know, an hour and fifty-four minutes is too much for audiences. They get nervous.