Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
FAHADH FAASILIt feels good to hear good things about yourself.
More Fahadh Faasil Quotes
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What I look for in a project is whether the storyline excites me.
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I think everything is temporary.
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I never wanted to be an actor but ended up being one.
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Roles don’t fascinate me. It is the narrative, the screenplay that is fascinating.
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I think it would be a dream for any actor to play someone like Changampuzha.
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Failure affects me hard.
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If I had my way, I want to do 15 films in a year, but I have realised I cannot physically do that.
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I listened to the script of ‘Carbon’ at the end of 2014. I liked it the moment I heard it. I wanted to do it.
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The only thing my famous last name got me was a foothold in the industry. That was the easy part. The biggest problem is survival. As Fazil’s son, I am expected to know everything – acting, dancing, horse riding… I am not trained in all these, and I don’t think I ever will be.
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I do only what I like. If we do something we don’t like, we will become someone else.
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I’m not a person who goes out of my way to change my look. I like my characters to look as natural as possible.
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I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.
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Whenever I have really enjoyed being part of a film, it has worked well for me.
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When you are talking about human emotions, stardom doesn’t matter.
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When I began acting, my biggest fear was whether the audience will appreciate the kind of films I do.
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I want my films to do the talking. I feel if people have to understand me better, I should do more good films. I just want them to know me through my films.
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The characters I portray are an extension of what I’ve seen, heard, or read, and so what you see in my films are how I understand life.
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I want my films to make money first. Awards and all can come later.
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When I am with my friends, I am comfortable.
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Failure is part and parcel of the process of experimenting with roles and films.
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When I listen to a basic thought, I try to visualise the cinema in it. Sometimes it is dark, sometimes boyish, sometimes amateurish. It is a trial and error method. But the bottom line is that I want to entertain the audience.
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I thoroughly enjoyed shooting for ‘Velaikkaran,’ and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
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I don’t expect to win awards while working in films.
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I don’t know how to be professional. But I always enjoy what I do.
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For me, ‘Diamond Necklace’ is a commercial attempt, as it has songs and glamour.
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Most of the films that I do help me learn something.
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