I’ve done only things I’ve liked, and I’m happy that others have liked them, too. I hope it keeps going that way. But l would never want to do films which please just one set of audience; they should connect with everyone.
FAHADH FAASILThe five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
More Fahadh Faasil Quotes
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As an actor, you create a character from your understanding of what you have heard and your observations. Eventually, every film is an extension of the images that I have seen or what I have heard or read somewhere.
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I try to choose characters that don’t remind the audience of my previous roles. I make a conscious effort for that.
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Offscreen, I’m a private person. I’m shy and don’t know how to face the public.
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Every character, when it comes to a cinematic representation, gets complicated and layered. You are given a lot of dimensions than a single dimension to an individual. That’s the main difference between seeing something out of the window and seeing something on screen.
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Mohan Raja is an interesting filmmaker. He is constantly, if I may use the word, contradicting himself. He explains a scene, and then he will try to break that and rebuild it. That, to me, is filmmaking. Every scene is constructed after a lot of discussions.
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When I am with my friends, I am comfortable.
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I give my best to each role that I do.
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The five directors in ‘5 Sundarikal’ experimented, and it was a very personal exercise. Amal, Anwar, Aashiq, and Sameer have done things that they have never done before. Debutant Shyju has also made a beautiful film.
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I trust my directors to see me through, for I don’t consider myself as a natural actor – or a good one at that.
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I am an actor, and I would like to reinvent myself through every character that I portray.
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All I want to do is to make movies that are appealing to people.
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The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say ‘rain,’ and it started raining, and then he would say ‘song,’ and people started dancing. I thought I was sitting on God’s lap.
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I thoroughly enjoyed shooting for ‘Velaikkaran,’ and I made a great friend in Sivakarthikeyan during the process. Also, it was wonderful working with director Mohan Raja. I have not seen a director who takes so much effort to get things the best way possible.
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I often see only my mistakes. I always feel I could have done better. Every artist goes through it.
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I do only what I like. If we do something we don’t like, we will become someone else.
FAHADH FAASIL