“I am not a writer, but I feel that when our production company is successful, we’ll be able to give some young writers with fresh voices an opportunity to put their work out there.”

In my mind, I see a line. And over that line, I see green fields and lovely flowers and beautiful, white women with their arms stretched out to me over that line, but I can’t seem to get there now. I can’t seem to get over that line.

And that’s what people want to see when they go to the theater. I believe at the end of the day, they want to see themselves – parts of their lives they can recognize. And I feel if I can achieve that, it’s pretty spectacular.

I really wanted to show [in fences] a marriage that is working. Not perfect, but working.

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.

They say, ‘To serve is to love,’ and I think to serve is to heal, too.

And “classically not beautiful” is a fancy term for saying ugly. And denouncing you. And erasing you.

I guess they say, “Necessity is the mother of invention” because you have two stark choices when you find yourself in a really desperate situation. You can either fold and cave-in to it or you can become really passionate about getting out of it.

Eating bread in Hollywood is a no-no!

Acting, it’s the disappearance of self, disappearance of your own needs and your own wants and the kind of embracing of the character that makes it work.

I think that what happens so often on screen is high-stake moments tends to look too pretty. And I just don’t think it’s honest.

I’ve always just simply seen myself as an actor. And I believe that it serves me well to just think in terms of my craft. If hypothetically, I saw myself only as a sex symbol, or as some other limited stereotype, I think I would feel like a complete failure.

Ordinary people who are just kind of just going about their lives are transformed into heroes because they have the courage to put their voices out there. I think that’s a powerful message in this time of political strife.

Even when I get the fried-chicken special of the day, I have to dig into it like it’s filet mignon.

I needed to make my wig ogg because I no longer wanted to apologize for who I am

I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.

As an artist, you’ve got to see the mess. That’s what we do. We get a human being, and it’s like putting together a puzzle. And the puzzle has got to be a mixture, a multifaceted mixture of human emotions, and not all of it is going to be pretty.

Last night, I sent you home with a kiss and a promise. I hope you still believe in roses.

What we call real estate – the solid ground to build a house on – is the broad foundation on which nearly all the guilt of this world rests.

Some stories are so familiar its like going home.

It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.

Home is where you feel at home. I’m still looking.

Man is and remains an animal. Here a beast of prey, there a housepet, but always an animal.

Ultimately savings have to go somewhere and I think they will find their home in financial markets and within financial markets, a large part in equity.

The other night I was lying in bed, looking up at the stars, and I wondered, ‘Where the hell is my roof?