The ‘machine-gun’ approach to photography – by which many negatives are made with the hope that one will be good – is fatal to serious results.
ANSEL ADAMSI know that I am one with beauty and that my comrades are one. Let our souls be mountains, Let our spirits be stars, Let our hearts be worlds.
More Ansel Adams Quotes
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No man has the right to dictate what other men should perceive, create or produce, but all should be encouraged to reveal themselves, their perceptions and emotions, and to build confidence in the creative spirit.
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Once destroyed, nature’s beauty cannot be repurchased at any price.
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Today, we must realize that nature is revealed in the simplest meadow, wood lot, marsh, stream, or tidepool, as well as in the remote grandeur of our parks and wilderness areas.
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It is horrifying that we have to fight our own government to save the environment.
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The quality of place, the reaction to immediate contact with earth and growing things that have a fugal relationship with mountains and sky, is essential to the integrity of our existence on this planet.
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Art is both the taking and giving of beauty, the turning out to the light of the inner folds of the awareness of the spirit.
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As the fisherman depends upon the rivers, lakes and seas and the farmer upon the land for his existence, so does mankind in general depend upon the beauty of the world about him for his spiritual and emotional existence.
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I believe the approach of the artist and the approach of the environmentalist are fairly close in that both are, to a rather impressive degree, concerned with the affirmation of life.
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I knew my destiny when I first experienced Yosemite.
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You don’t take a photograph, you make it.
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I don’t know anybody who needs a critic to find out what art is.
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The negative is the score, and the print the performance.
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The negative is comparable to the composer’s score and the print to its performance. Each performance differs in subtle ways.
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To photograph truthfully and effectively is to see beneath the surfaces.
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A great photograph is one that fully expresses what one feels, in the deepest sense, about what is being photographed.
ANSEL ADAMS







